| Pratt
Institute, BFA, Painting, 1976 Columbia University, 1968-70 Hunter College, CUNY, 1967-68 Associate Professor of Painting and Critical Studies, Syracuse University |
| 1988 | Penny McCall Foundation, Painting |
| 1981 | National Endowment for the Arts, Painting |
| 1974 | Pratt Institute Academic Fellowship |
| 1972 | MacDowell Colony |
| 1988 | Painting,
Niagara Frontier Transportation Authority, Buffalo, NY, Humboldt-Hospital Station, East Entrance |
| 2007 2001 |
“A
Fictional Autobiography”, http://www.sharongoldart.com Robert Pardo Gallery, New York, NY |
| 1991 | Stephen Rosenberg Gallery, New York, NY |
| 1989 | Stephen Rosenberg Gallery, New York, NY |
| 1987 | Stephen Rosenberg Gallery, New York, NY |
| 1986 | 85 Mercer Street, New York, NY |
| 1986 | John Davis Gallery, Akron, Ohio |
| 1986 | Pam Adler Gallery, New York, NY |
| 1984 | Nina Freudenheim Gallery, Buffalo, New York |
| 1984 | 55 Mercer Street, New York, NY |
| 1982 | Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia |
| 1981 | Susan Caldwell Gallery, New York, NY |
| 1981 | Atholl McBean Gallery, San Francisco Art, Institute, San Francisco, CA |
| 1981 | Galerie Michael Storrer, Zurich, Switzerland |
| 1978 | Bertha Urdang Gallery, New York, NY |
| 1977 | OK Harris, New York, NY |
| 1977 | 112 Greene Street, New York, NY |
| 1976 | OK Harris, New York, NY |
| 1971 | Judson Gallery, Judson Memorial Church, New York, NY |
| 2007 2005 |
Dangerous
Women Two, The Gallery, Mercer County Community College,
West Windsor, NJ ARTEFACT Galleria Pardo, Zurich, Switzerland |
| 2005 | To Never Forget: Faces of the Fallen, The Wall, Shaffer Art Bldg., Syracuse, NY |
| 2005 | Faculty Exhibition, Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 2004 | ARTEFACT Galleria Pardo, New York, NY |
| 2004 | Subject
to Oneself A Group Exhibition of Self-Portraiture, PLAySPACE,
California College of the Arts, San Francisco, CA |
| 2004 | Faculty Exhibition, Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 2004 | ARTEFACT Galleria Pardo, Milan, Italy |
| 2004 | First Annual Downtown Art Auction Benefit, Michael Perez Gallery, NY, NY |
| 2002 | Faculty Exhibition, Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 2000 | Women, Art and Change 2000, Spark Gallery, Syracuse, NY |
| 1999 | Faculty Exhibition, Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 1999 | No Limits, Judson Memorial Church Benefit, New York |
| 1999 | Edith Barrett Art Gallery, Utica College of Syracuse University, Utica, NY |
| 1998 | A Live and Silent Auction of Miniature Art Works, Prime Time House Benefit, Torrington, Conn. |
| 1998 | Artists Choose Artists, The Century Association, New York, NY |
| 1998 | Studio Arts: The Creative Process, Lowe Art Gallery Syracuse University, Syracuse, NY |
| 1996 | Faculty Exhibition, Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 1994 | Group Exhibition, Dietrich Contemporary Art, NY |
| 1994 | Faculty Exhibition, Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 1993 | Inaugural Exhibition, Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 1993 | Ticket=Art, Organization for Independent Artists Benefit, Brooke Alexander Gallery, New York, October 11, 1993 |
| 1993 | Studio Tour, Art In General, New York Benefit, October 16, 1993 |
| 1992 | Group Exhibition/Benefit, IRIS HOUSE: A Center for Women Living with HIV, NY, Women’s Foundation and Manhattan Borough President's Office |
| 1991 | New Acquisitions, Everson Museum of Art, Syracuse, New York |
| 1991 | Inaugural Exhibition, ARTSTAR, Los Angeles, CA |
| 1991 | Paper Trail, Stephen Rosenberg Gallery, NY, NY |
| 1990 | The Image of Abstract Painting in the 80's, Rose Art Museum, Brandeis University, Waltham, Mass., curated by Susan Stoops |
| 1990 | New Work, Stephen Rosenberg Gallery, NY, NY |
| 1989 | Painting Beyond The Death Of Painting, Kuznetsky Most Exhibition Hall, Moscow, USSR, curated by Donald B. Kuspit |
| 1989 | One Of A Kind: Unique Works On Paper, GH Dalsheimer Gallery, Baltimore, MD |
| 1989 | Space, Scale & Structure, Ben Shahn Gallery, William Patterson College, Wayne, NJ |
| 1988 | Abstraction: The Central Image, four-person exhibition, Stephen Rosenberg Gallery, NY |
| 1988 | Summer Show, GH Dalsheimer Gallery, Baltimore, MD |
| 1988 | Faculty Exhibition, The Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 1987 | Six Younger Underknowns, Dia Art Foundation, Bridgehampton, NY, curated by Henry Geldzahler |
| 1987 | Faculty Exhibition, The Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 1986 | Rose Art Museum 25th Anniversary Show, Rose Art Museum, Brandeis University, Waltham, Mass. |
| 1986 | Tribeca Alert! Tribeca Benefit Art Auction, Hal Bromm Gallery, NY, NY |
| 1986 | Sixth Invitational, John Davis Gallery, Akron, Ohio |
| 1986 | Line Drives, Gallery 53/Smithy Artworks, Cooperstown, NY |
| 1986 | Abstraction/Abstraction, Carnegie-Mellon University Art Gallery, Pittsburgh PA, curated by Elaine A. King, traveling to Paul Klein Gallery, Chicago, Ill. |
| 1986 | New Abstract Paintings, Cork Gallery, Lincoln Center, New York, curated by D. Fortenberry |
| 1986 | Joseph Masheck Collection of Contemporary Art, Rose Art Museum, Brandeis University, Waltham, Mass. |
| 1985 | Earsight: Sound and Image in the Contemporary Arts, Nexus Gallery, Philadelphia, Pa. curated by Peter Frank, traveling to Southern Alleghenies Museum, Johnston Extension, Pa. |
| 1985 | The Fifth Annual, John Davis Gallery, Akron, Ohio |
| 1985 | Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, NY |
| 1985 | Group Exhibition Invitational, Pam Adler Gallery, NY, NY |
| 1985 | Umpires of Art, Gallery/53 Smithy Artworks, Cooperstown, NY |
| 1985 | A Decade of Visual Arts at Princeton: Faculty 1975-1985, The Art Museum, Princeton University, Princeton, NJ |
| 1985 | The Non-Objective World-1985, Kamikaze, NY, NY, curated by Stephen Westfall |
| 1985 | Group Exhibition, Akron Art Museum, Akron, OH |
| 1985 | Painting 1985, Pam Adler Gallery, NY, NY |
| 1984 | Faculty Exhibition, The Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 1984 | Small Works: New Abstract Painting, Lafayette College and Muhlenberg College, Easton and Allentown, Pa., curated by Ron Janowich and Thomas Hudspeth |
| 1984 | The Fourth Annual, John Davis Gallery, Akron, OH |
| 1984 | Bases Loaded, Gallery 53/Smithy Artworks, Cooperstown, NY |
| 1984 | First Underground Show, 456 Broome Street, NY, NY curated by Thornton Willis |
| 1984 | Drawings: New Dimensions, Nina Freudenheim Gallery, Buffalo, NY |
| 1983 | Multiples, Jack Tilton Gallery, NY, NY |
| 1983 | Visiting Artist and Faculty Show, Tyler School of Art, Temple University, Philadelphia, PA |
| 1983 | Contemporary Abstract Painting, Center for the Arts, Muhlenberg College, Allentown, Pa., curated by Thomas Hudspeth |
| 1983 | Art of the Rapid Transit, Niagara Frontier Transportation Authority, Buffalo, NY |
| 1983 | New York Painting Today, Three Rivers Arts Festival, Pittsburgh, Pa., curated by Elaine A. King and Donald B. Kuspit |
| 1982 | Critical Perspectives, PS 1, Institute for Art and Urban Resources, Long Island City, NY, curated by Joseph Masheck |
| 1982 | Fifteen Artists, Pam Adler Gallery, NY, NY curated by Pam Adler and Jack Tilton |
| 1981 | Drawing Invitational, Harm Bouchaert Gallery, NY, NY |
| 1981 | Works on Paper, Museum of Modern Art, Art Lending Service, NY, NY |
| 1981 | Group Exhibition, McNay Art Institute, San Antonio, TX |
| 1981 | Donne in Arte-Viaggio a New York, Galleria Arco d'Alibert, Rome Italy, traveling to Palazzo Ducale, Genoa, Italy |
| 1980 | US Art '80, Ericson Gallery, NY, NY, curated by Vered Lieb |
| 1979 | Small Is Beautiful, Freedman Gallery, Albright College, Reading, Pa., traveling to Center Gallery, Bucknell University, Lewisburg, Pa., curated by Marilyn Zeitlin |
| 1979 | Group Exhibition, Susan Caldwell Gallery, NY, NY |
| 1978 | Group Exhibition, 112 Greene Street, NY, NY |
| 1978 | Group Exhibition, Bertha Urdang Gallery, NY, NY |
| 1978 | Group Exhibition, Kilcawley Center, Youngstown State University, Youngstown, OH |
| 1977 | Drawings and Prints-New York, Rush Rhees Gallery, University of Rochester, NY |
| 2007 2007 2007 2003- |
Cindy
Stockton Moore, “A Fictional Autobiography: Sharon Gold on the
Web”, ducts.org the webzine of personal stories, Issue 19, Summer 2007 Zivile Slektaviciute & Robert Pardo, OPEN STUDIOS, catalogue, essay by Robert C. Morgan, ARTEFACT Pardo Gallery, NY, Zurich, Milan Tricia Fagan, catalogue, Dangerous Women Two, The Gallery, Mercer County Community Who’s Who In American Art, Who’s Who In American Women, Revised editions |
| 2002 | Katharine Rushworth, review, The Post Standard, Syracuse, October 20, 2002 |
| 2002 | A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists’ Fellowship Program, National Endowment for the Arts and Smithsonian Institution’s National Museum of Art, 2002, Contributor |
| 2001 | Ken Johnson, The New York Times, March 30, & April 6, 2001 |
| 2001 | P. Andrew Spahr ed., Community of Creativity: A Century of Macdowell Colony Artists, University Press of New England, Hanover, NH |
| 2001 | The Artists Bluebook: 24,000 North American Artists, AskArt.com.pblsh www.askart.com/the_artist.asp |
| 2000 | Who's Who In America, revised editions |
| 1999 | Who's Who In American Art, Who's Who In American Women, Revised editions |
| 1998 | Chayat, Sherry, Review, "The Genesis of Art: Exhibition at Syracuse University On The Way Artists Work", Syracuse Herald American, March 8, 1998 |
| 1998 | Review, "Innovative Exhibition Showcases Syracuse University Faculty Artists' Creative Process, Scotsman Community Publications, Syracuse East, February 16, 1998 |
| 1996 | Gold, Sharon, Contributor, M/E/A/N/I/N/G, #19/20 May 1996 |
| 1996 | Gold, Sharon, National Endowment for the Arts Visual Artists Fellowship Archive, National Museum of American Art, Smithsonian Institution, Washington, DC, 1996 |
| 1995 | Heller, Jules, and Nancy G. Heller, Eds. North American Women Artists of the Twentieth Century, A Biographical Dictionary, Garland Reference Library of the Humanities, (Vol. 1219), Garland Publishing, NY & London, 1995 |
| 1990 | Stoops, Susan, "Ardent Abstraction in a Decade of Doubt", catalogue essay, The Image of Abstract Painting in the 80's, Rose Art Museum, Brandeis University, Waltham, Mass. |
| 1990 | Temin, Christine, Review, The Boston Globe, March 23, 1990 and March 27, 1990 |
| 1990 | Stapen, Nancy, Review, Boston Sunday Herald, April 15, 1990 |
| 1990 | Day, Meredith Fife, Middlesex News, March 23, 1990 |
| 1989 | Gold, Sharon, Essay, M/E/A/N/I/N/G, #5 May 1989 |
| 1989 | Review, "Painting Beyond the Death of Painting", PRAVDA, September 20,21,22,1989, Moscow, USSR |
| 1988 | Westfall, Stephen, Review, Art In America, January 1988 |
| 1987 | Masheck, Joseph, "Sharon Gold", Arts Magazine, October 1987 |
1987 |
Danto,
Arthur, Review, The Nation, December 26, 1987 Cohrs, Timothy, Review, Art News, December 1987 |
| 1987 | Geldzahler, Henry, Six Younger Underknowns, Dia Art Foundation, catalogue |
| 1986 | Belz, Carl, Rose Art Museum Selected 20th Century Paintings, Rose Art Museum, catalogue |
| 1986 | Schwabsky, Barry, "Abstract Painting and It's Double: Transformation Within the Constructive Mode", Arts Magazine, September 1986 |
| 1986 | Sherman, Mary, Review, Reader, July 11, 1986, Chicago, Ill |
| 1986 | Miller, Donald, Review, Post-Gazette, March 29, 1986, Pittsburgh, Pa. |
| 1986 | Loughery, John, Review, "Three Aspects of Abstraction", Arts Magazine, April, 1986 |
| 1986 | Stavitsky, Gail, "Three Aspects of Abstraction", Arts Magazine, April 1986 |
| 1986 | Westfall, Stephen, “The World Again: Sharon Gold's New Paintings”, Arts Magazine, January 1986 |
| 1986 | Carrier, David and King, Elaine A., catalogue essay, Abstraction/Abstraction, Carnegie-Mellon University Art Gallery, Pittsburgh, PA |
| 1985 | The Art Museum, A Decade of Visual Arts at Princeton: Faculty 1975-1985, catalogue (with artists' statements) |
| 1984 | Rasuli, Daryl, Review, On The Move, Vol.4-No.2, March-May 1984, Buffalo, NY |
| 1984 | Simon, Peter, Review, The Buffalo News, June 25, 1984 |
| 1984 | Westfall, Stephen, Review, Arts Magazine, November 1984 |
| 1984 | Bannon, Anthony, The Buffalo News, December 10, 1984 |
| 1984 | Buffalo State Presents: An Interview With Sharon Gold by Nina Freudenheim, video, February 16, 1984 |
| 1984 | Rosenthal, Deborah, Review, Art In America, September 1984 |
| 1984 | Bannon, Anthony, "Colossal Color", The Buffalo News, April 15, 1984 |
| 1984 | Zimmer, William, "Sharon Gold", Arts Magazine, Summer 1984 |
| 1984 | Zabel, Barbara and Zimmer, William, Small Works: New Abstract Painting, Lafayette College, catalogue |
| 1984 | Masheck, Joseph, Historic Present: Essays of the 1970's, UMI Press, Ann Arbor, Michigan, 1984 |
| 1983 | Maulfair, Jane, Review, Call-Chronicle, Allentown, Pa., September 23, 1983 |
| 1983 | Bannon, Anthony, Review, "Gusto", The Buffalo News, May 20, 1983 |
| 1983 | Arctanger, Eric, "The Whitney Biennial: Who Wasn't There", Nit & Wit, September/October 1983 |
| 1983 | King, Elaine A. and Kuspit, Donald B., New York Painting Today, Three Rivers Arts Festival, Pittsburgh, Pa., catalogue |
| 1983 | Hudspeth, Thomas, Contemporary Abstract Painting, Center for the Arts, Muhlenberg College, catalogue (with artists' statements) |
| 1982 | Grant, Daniel, Review, Newsday, February 28, 1982 |
| 1982 | Larson, Kay, Review, New York Magazine, February 15, 1982 |
| 1982 | Kuspit, Donald B., Review, Artforum, April 1982 |
| 1982 | Merritt, Robert, Review, Times-Dispatch, January 1982 |
| 1982 | Vernet, Gwynne, "Drawing Invitational 1981"Arts Magazine, February 1981 |
| 1982 | Carrier, David, "Art Fashion", Journal of Contemporary Art Magazine, LAICA, Vol. 4/#3, Summer, 1982Masheck, Joseph, A Will To Paint, Anderson Gallery, catalogue |
| 1982 | Masheck, Joseph, A Will To Paint, Anderson Gallery, catalogue |
| 1981 | Carrier, David, "Sharon Gold", Artscribe, No. 30, 1981 |
| 1981 | Plagens, Peter, "The Academy of the Bad", Art In America, November 1981 |
| 1981 | Brentano, Robin and Savitt, Mark, 112 Workshop/112 Greene Street, New York University Press, New York, 1981 |
| 1981 | Lieb, Vered, "An Interview With Sharon Gold", Arts Magazine, May 1981 |
| 1981 | Albright, Thomas, Review, San Francisco Chronicle, July 31, 1981 |
| 1981 | Marchal-Workman, Andree, Review, West Art, August 14, 1981 |
| 1980 | Fuller, Peter, Beyond The Crisis In Art, Writers and Readers Publishing Corp., Ltd., London, 1980 |
| 1979 | Gold, Sharon, "Statement", RE-VIEW Magazine, Vol 1., Issues 2&3,1979 |
| 1979 | Foster, Hal, Review, Art In America, February 1979 |
| 1979 | Kuspit, Donald B., "Existential Formalism: The Case of Sharon Gold", Artforum, March 1979 |
| 1978 | Frank, Peter, Review, Village Voice, December 1978 |
| 1978 | Masheck, Joseph, "Hard-Core Painting", Artforum, April 1978 |
| 1978 | Tatransky, Valentin, "Sharon Gold", Arts Magazine, November 1978 |
| 1978 | Marquis, Jacques, Who's Who In American Art, 13th edition, 1978- revised annual |
| 1978 | Who's Who In American Women, 13th edition, 1978-revised annually |
| 1978 | Kingsley, April, Review, SoHo News, September 17, 1978 |
| 1977 | Schwartz, Ellen, Review, Art News, December 1977 |
| 1977 | Bell, Tiffany, Review, Arts Magazine, December 1977 |
| 1977 | Cardozo, Judith Lopes, Review, Artforum, December 1977 |
| 1977 | Gold, Sharon, "The Cognitive Create Object: Intuition and the Creative Process", RE-VIEW Magazine, Vol.1, Issue 1, 1977 |
| 1994 | A Video Tape 1990-1991, Video installation, Faculty Exhibition, Lowe Art Gallery, Syracuse University, Syracuse, NY |
| 1991 | A Video Tape 1990-1991, Video installation, solo exhibition Stephen Rosenberg Gallery, NY |
| 1984 | North South Consonance, Premiere Performance, High Art, by Martin Bresnick, composer, Toy Piano--Sharon Gold, Piccolo--Robert Dick, St. Stephen's Church, NY, NY |
| 1984 | Improvisation, John Zorn, composer, Knitting Factory, NY, performer |
| 1978 | Art Cabaret, Performance Workshop at The Ear Inn, Performances by Sharon Gold and Maureen Connor (solo and collaborative works) |
| 1977 | Performance and Video Tapes, 112 Greene Street, New York, NY |
| 1976 | How
To Play The Piano, Performance/Video, Performance Workshop,
NY, NY Paper Piece #1, Performance/Video, Performance Workshop, NY, NY |
| 1975 | Minimal,
Post-Minimal, Conceptual Art: Running Piece, Performance/Audio
Tape, Pratt Institute, NY |
| 1975 | John Cage Solo Concert, Performance/Video, Pratt Institute, NY |
| 1975 | Performance and Video Workshop New York City Co-Directors: Elaine Hartnett and Sharon Gold through 1978 |
| 1967 | Performances: Judson Memorial Poets' Theatre, Judson Memorial Church, NY, NY through 1968 |
| 1965 | Performances: Dance/Music: Elan International Folk Theatre, NY, NY through 1967 |
Everson Museum of Art, Syracuse, NY
Ohio Museum, Springfield, Ohio
Chemical Bank, New York
Rose Art Museum, Brandeis University, Mass.
Southeast Bank, Florida
Best Products, Virginia
Chase Manhattan Bank, New York
McCrory Corporation, New York
Norsearch Industries, New York
Prudential Insurance Company of America, New Jersey
Fox, Glynn & Melamed, New York
Hughes, Hubbard & Reed, Inc., New York
Niagara Frontier Transportation Authority, New York